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Music of Martinique
:''Main article'': Music of Martinique and Guadeloupe
The music of Martinique has a heritage which is intertwined with that of its sister island, Guadeloupe. Despite their small size, the islands have created a large popular music industry, which gained in international renown after the success of zouk music in the later 20th century. Zouk's popularity was particularly intense in France, where the genre became an important symbol of identity for Martinique and Guadeloupe.〔Ledesma and Scaramuzzo, pgs. 289–303〕 Zouk's origins are in the folk music of Martinique and Guadeloupe, especially Martinican chouval bwa, and Guadeloupan gwo ka. There's also notable influence of the pan-Caribbean calypso tradition and Haitian kompa.
==Folk music==
Carnival is a very important festival, known as Vaval on Martinique. Music plays a vital role, with Martinican big bands marching across the island. Vaval declined following World War II, bouncing back with new band formats and new traditions only in the 1980s. Like Guadeloupe, Martinique features participatory, call-and-response style songs during its Vaval celebrations.
In the early 20th century on Martinique, Creole bands travelled on trucks or small carts during Vaval, playing a music known as ''biguine vidé'' (or just ''videé''). After the decline of Vaval in World War II, the tradition began anew in the 1980s, when large marching bands of fifty or more people became common, including a number of horn players, percussionists and dancers. These large bands, known as ''groups à pied'', are each identified with a neighborhood.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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